
This morning I finished the last couple of pages of
The Girl With the Dragon Tattoo, written by Stieg Larson.
This is definitely the first page-turner I've read in a long time. Not since
The Mystery of Things have I been so engrossed in a book...not bad for a 50 cent garage sale purchase. It first caught my eye because I recently read an article in a magazine about the casting for the American version of a film adaptation that's in pre-production. Apparently Brad Pitt, George Clooney, and Johnny Depp are all rumored to be fighting over the male lead for the role of Mikael Blomkvist, but so far it seems most likely that the part will go to Daniel Craig, of recent James Bond fame. In my opinion, he would by far be the best choice of the actors listed above. For the female lead of Lisbeth Salander, the names of actresses Kristen Stewart, Natalie Portman, Carey Mulligan, Ellen Page, Mia Wasikowska, Keira Knightley, Anne Hathaway, Olivia Thirlby, and Scarlett Johansson have all been thrown around. I can actually envision Kristen Stewart doing a fine job, as well as Mulligan and Portman. Keira Knightley fits the role physically but might be too big of a name...Lisbeth Salander is one of the most interesting, albeit off-kilter heroines to grace the pages of fiction in recent literature, and it would be a shame if her character as written on the page was overshadowed by the fame of the actress playing her. Anne Hathaway and Scarlet Johansson would, in my opinion, be TERRIBLE, especially Scarlet. Neither of them fit the role physically even the slightest bit, and I feel that the physicality of Lisbeth is an integral part of her character.
Anyways...this book was originally published in Swedish but translated into English. It is one of the only if not THE only translated novel to reach the top of U.S. bestseller lists. It was actually published posthumously (author Stieg Larson passed away in 2004), but luckily there were drafts of the two sequels already written (
The Girl Who Played With Fire and
The Girl Who Kicked the Hornet's Nest), which have both been released.
I had no idea what to expect from this novel. I didn't even know that, genre-wise, it was a mystery/crime thriller. The first thing I noticed after reading the first page was that the prose didn't immediately annoy the heck out of me. I find that most modern books are either overwritten (more details than you could possibly ever want to know about more characters than you could possibly ever care about or remember, with authors throwing their snappy sentence structures and rhetorical acumen around) or underwritten ("He stood. The moon rose white over the hill.
What was can be no more. He retreated to the house where horror awaited"...cryptic and stream-of-conscious). Both styles I loathe (as both seem showy and focused disproportionately on style rather than content).
The first few chapters are not necessarily slow, but they jump around a lot and initially I had trouble determining which characters were going to be the main ones and which characters I didn't need to pay as much attention to. However, the book picks up around Chapter 4 and after that it's a bonafide page-turner.
Mikael Blomkvist is a 40-something journalist who has recently been charged with libel for publishing an inaccurate story about one of Sweden's most prominent businessmen, Erik Wennerstrom. Down on his luck both financially and professionally, he accepts an obscure offer from an eccentric old man, Henrik Vagner, to move to the small town of Hedeby and write his autobiography. Once the proprietors of a dominant business empire, the extensive Vanger family is now estranged and their empire faltering. Much of this estrangement is due to the disappearance of 16 year-old Harriet Vanger some 40 years ago, the favorite niece of Henrik. Mikael soon discovers that Henrik's ulterior motive is for him to discover once and for all what happened to Harriet. The old man believes she was murdered, and by someone in the family. He's obsessed with the case and wants it solved before he dies. Mikael agrees to the task only because Henrik promises him scandalous scoop on Wennestrom from years back that could prove Mikael's innocence and bring down the corrupt businessman once and for all.
Meanwhile, Lisbeth Sanders, a slight, sullen, tattooed 24 year old, is a ward of the state who has obviously suffered from some unknown tragedies in her past. Despite her surly demeanor and complete lack of social skills, she works as a freelance investigator for a prominent security firm. She's hired by Henrik's lawyer to do a background check on Mikael, which is how to two are initially linked. Later, when Mikael has progressed far enough into the case to require a research assistant, Salander is recommended to him and she too moves out to Hedeby, where her skills as a hacker and photographic memory prove invaluable.
Together, they pour over years of case notes and also manage to unearth some yet undiscovered clues. Their findings show that the Vanger family has secrets far darker and more gruesome than they could have possibly imagined, and eventually they find that their own lives are in danger.
Besides its "you-can't-put-me-down" quality, this book is also so enjoyable because of its memorable heroine. It's been a long time since I've encountered a female lead as engaging as Lisbeth Salander. Despite her rather extreme characteristics, she comes across neither as a stereotype nor a caricature, and even though she is nothing like me and not exactly what you would call likable, I found myself extremely invested in her well-being and absolutely fascinated by her actions and personality.
However, I still cannot wholeheartedly recommend this book. The extremely gruesome scenes of sexual violence are wholly disturbing (I had to take a break for a while after reading the first); for me, they elicited not only outrage, horror, and a deep sadness, but also a physical nausea. One of the running themes in the book is the violence of men towards women (the Swedish title is actually
Men Who Hated Women), and though these issues are dealt with seriously, they are rendered no less difficult to digest. But, if you can handle these scenes, or tread carefully enough to avoid them, this book is thoroughly compelling read from start to finish. I know that I myself will read the two sequels (both of which have been reviewed as positively as the original) if I can get my hands on them.